dc.contributor	Hachiyanagi, Rie
dc.contributor	Ginsberg, Tatiana
dc.contributor.advisor	Smith, Joseph
dc.contributor.advisor	Phillips, Matt
dc.contributor.advisor	London, Sara
dc.contributor.author	Miller, Sophia
dc.date.accessioned	2014-06-30T12:51:31Z
dc.date.available	2014-06-30T12:51:31Z
dc.date.gradyear	2014	en_US
dc.date.issued	2014-06-30
dc.description.abstract	I create paintings in which one landscape is disrupted by the insertion of a disparate landscape into the same composition. By way of this juxtaposition, I seek to illustrate sensory experience as fractured, multiple, and simultaneous. I also paint figures with tenuous edges, whose relation to surrounding space represents the meeting of the individual with the world, and the way the two act on one another. I attempt to complicate boundaries between objects and space, using the shared edges of forms as sites of visual destabilization. My goal is to enact, in paint, the tension between a unified plane of perception and its fractured parts. My hope is that my paintings may activate an awareness of the fragmented nature of our perception, and by extension, the way we conceive of and situate ourselves in time and space.	en_US
dc.description.sponsorship	Art Studio	en_US
dc.identifier.uri	http://hdl.handle.net/10166/3564
dc.language.iso	en_US	en_US
dc.rights	Attribution-NonCommercial-ShareAlike 3.0 United States	*
dc.rights.restricted	public	en_US
dc.rights.uri	http://creativecommons.org/licenses/by-nc-sa/3.0/us/	*
dc.subject	painting	en_US
dc.subject	perception	en_US
dc.subject	cubism	en_US
dc.title	Painting Perception	en_US
dc.type	Thesis
mhc.degree	Undergraduate	en_US
mhc.institution	Mount Holyoke College

Painting Perception

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