Turn of Phrase: A Queer Reimagination of David Gordon's Not Necessarily Recognizable Objectives

dc.contributorJohnson-Barron, Shakia
dc.contributorShea, Mark
dc.contributor.advisorDiewald, Barbie
dc.contributor.advisorSeigh, William
dc.contributor.authorBelfer, Marty
dc.date.accessioned2026-06-29T18:23:16Z
dc.date.gradyear2026
dc.descriptionAs the thesis refers to both the written and the choreographed work, a video of the performance is included, filmed by Paul Fortier / PVP Video on March 27, 2026. Lighting designed by Amber Tanudjaja. Viewers please note that a video of a dance is not the dance itself.
dc.description.abstractTurn of Phrase is both thesis and dance. Through textual and embodied research, I choreographed a queer reimagination of David Gordon’s Not Necessarily Recognizable Objectives (1978). Here, I will explore the historical context of the original work, break down precedent for revisiting past dances, and trace aspects of queer theory in choreography to serve as touchstones in my own process. Sources include archival materials from the David Gordon/Pick Up Company, Sally Bane’s Terpsichore in Sneakers: Post-Modern Dance, Jack Halberstam’s The Queer Art of Failure, Jose Esteban Muñoz’s Cruising Utopia, and Sara Ahmed’s What’s the Use? On the Uses of Use. This project builds upon my practice of connecting conventional academic research to embodied practice.
dc.description.sponsorshipDance
dc.identifier.urihttps://hdl.handle.net/10166/6859
dc.language.isoen
dc.rights.restrictedrestricted
dc.subjectdance
dc.subjectpostmodern dance
dc.subjectarchives
dc.subjectqueer theory
dc.subjectreimagination
dc.subjectchoreography
dc.titleTurn of Phrase: A Queer Reimagination of David Gordon's Not Necessarily Recognizable Objectives
dc.typeThesis
mhc.degreeUndergraduate
mhc.institutionMount Holyoke College

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