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dc.contributor.authorHerbert, Robert L.
dc.date.accessioned2016-02-15T19:13:42Z
dc.date.available2016-02-15T19:13:42Z
dc.date.issued2016-02-15
dc.identifier.urihttp://hdl.handle.net/10166/3736
dc.description.abstractThis essay is a close study of the landscape triptychs of the past fifteen years by the renowned photographer Barbara Bosworth. Her three-part photographs are only one portion of her output, but the author became fascinated by the visual artifices she used to interpret New England and other American landscapes. He shows that by slight movements of her view camera she gave each of her three views a field of its own although they form an interlinked panorama. It is through these three partly autonomous views that she creates her poetic and often autobiographical interpretations of particular landscapes in forceful black and white and in ravishing color. en_US
dc.language.isoen_USen_US
dc.subjectBarbara Bosworthen_US
dc.subjectphotographyen_US
dc.subjectlandscapeen_US
dc.titleBarbara Bosworth's Triptychsen_US
dc.typeArticleen_US


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