Revising Art History: The Critical Fortunes of Botticelli
dc.contributor | Varriano, John | en_US |
dc.contributor | McGinness, Frederick | en_US |
dc.contributor.advisor | Davis, Michael | en_US |
dc.contributor.author | Gomez, Ximena | en_US |
dc.date.accessioned | 2011-02-16T13:47:23Z | |
dc.date.available | 2011-02-16T13:47:23Z | |
dc.date.gradyear | 2009 | en_US |
dc.date.issued | 2011-02-16 | |
dc.date.submitted | 2009-06-28 04:25:17 | en_US |
dc.description.abstract | I seek to argue that Alessandro Botticelli s unique critical fortunes that is, his success as an artist in late-fifteenth century Florence, his dismissal by Giorgio Vasari and subsequent obscurity, and his rehabilitation in the nineteenth century offer a historiographical case study of art history itself. | en_US |
dc.description.sponsorship | Art History | en_US |
dc.description.sponsorship | History | en_US |
dc.identifier.uri | http://hdl.handle.net/10166/746 | |
dc.language.iso | en_US | en_US |
dc.rights.restricted | public | |
dc.subject | Art History | en_US |
dc.subject | Alessandro Botticelli | en_US |
dc.subject | Italian Renaissance | en_US |
dc.subject | Painting | en_US |
dc.subject | Historiography | en_US |
dc.subject | Pre Raphaelites | en_US |
dc.subject | Raphael | en_US |
dc.subject | Art Criticism | en_US |
dc.title | Revising Art History: The Critical Fortunes of Botticelli | en_US |
dc.type | Thesis | en_US |
mhc.degree | Undergraduate | en_US |
mhc.institution | Mount Holyoke College | en_US |
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