Hearing the Music in the Cloth: Embodied Knowledge, Communities of Practice, and the Reviving of the Skinner Museum Barn Frame Loom

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dc.contributorMiller, Becky
dc.contributorMiller, Aaron
dc.contributorWatson, Matthew
dc.contributorThorner, Sabra
dc.contributor.advisorThorner, Sabra
dc.contributor.authorHancock, Erin
dc.date.accessioned2020-07-06T14:47:28Z
dc.date.available2020-07-06T14:47:28Z
dc.date.gradyear2020en_US
dc.date.issued2020-07-06
dc.description.sponsorshipSociology & Anthropologyen_US
dc.identifier.urihttp://hdl.handle.net/10166/6047
dc.language.isoen_USen_US
dc.rights.restrictedrestricteden_US
dc.subjectTextile Historyen_US
dc.subjectWeavingen_US
dc.subjectBarn Frame Loomsen_US
dc.subjectEthnomusicologyen_US
dc.subjectWaulking Songsen_US
dc.subjectScottish Gaelicen_US
dc.titleHearing the Music in the Cloth: Embodied Knowledge, Communities of Practice, and the Reviving of the Skinner Museum Barn Frame Loomen_US
dc.typeThesis
mhc.degreeUndergraduateen_US
mhc.institutionMount Holyoke College

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