Talent Management: The Hollywood Perspective on Media Production/Coverage

dc.contributor.authorSimon, Esther
dc.date.accessioned2019-04-22T13:31:49Z
dc.date.available2019-04-22T13:31:49Z
dc.date.created2017-10-20
dc.date.issued2019-04-22
dc.description.abstractAs an intern at a talent management company, Esther was able to get an inside look at how film and television is cast, pitched, and produced. She worked for Silver Lining Entertainment, a relatively new company formed by several seasoned managers and a few new faces in the business. Over the course of her internship, Esther got to practice skills from many different sides of the film industry. She learned how to write coverage of scripts, edit clients’ audition tapes, and compile casting workbooks from databases. Esther told the managers that her ultimate goal was to find a career in screenwriting, and they were happy to find her extra tasks which related to that. Over the course of her time at the company, Esther was able to read many different scripts and witness firsthand how a film goes from a screenplay to a fully cast and produced film.
dc.description.panabstractIn this panel we will explore the various stages of media production ranging from representational media to the logistics of performance. We participated in internships which focused on the production of media from its inception to its final product. As panelists we will share our individual experiences including, but not limited to, evaluating depictions of emerging technologies in media, utilizing media journalism as a tool for social change, casting and covering media from the perspective of Hollywood talent management, and focusing on theatre as both an art form and a business.
dc.identifier.urihttp://hdl.handle.net/10166/5653
dc.language.isoen_US
dc.rights.restrictedpublic
dc.titleTalent Management: The Hollywood Perspective on Media Production/Coverage
dc.title.alternativeBridging the Gap from Journalism to the Arts

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