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dc.contributorBlaetz, Robinen_US
dc.contributorPemberton, Gayleen_US
dc.contributor.advisorYoung, Elizabethen_US
dc.contributor.authorHahn, Arielen_US
dc.date.accessioned2011-02-16T13:47:27Z
dc.date.available2011-02-16T13:47:27Z
dc.date.issued2011-02-16
dc.date.submitted2010-10-26 16:45:53en_US
dc.identifier.urihttp://hdl.handle.net/10166/767
dc.description.sponsorshipFilm Studiesen_US
dc.language.isoen_USen_US
dc.subjectqueeren_US
dc.subjectsouthernen_US
dc.subjectgothicen_US
dc.subjectmccullersen_US
dc.subjectdeliveranceen_US
dc.subjectkenanen_US
dc.subjectfilmen_US
dc.subjectenglishen_US
dc.titleQueer Otherness, Mentors, and Performativity: Establishing the Queer Southern Gothic in Carson McCullers s Member of the Wedding (1946), John Boorman s Deliverance (1972), and Randall Kenan s A Visitation of Spirits (1989)en_US
dc.typeThesisen_US
dc.date.gradyear2010en_US
mhc.institutionMount Holyoke Collegeen_US
mhc.degreeUndergraduateen_US
dc.rights.restrictedpublic


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